Details of our recent concerts
Want to know what we've been up to recently? This page lists our concerts from 2018 onwards.Looking further back, you can browse an archive of concerts from 2012 to 2021 (PDF format)
CONCERT: Elegy
Sat, 13 Nov 2021
We returned to St John's Church in Alresford with a programme of reflective music from English and American composers.
Walford Davies composed A Short Requiem in 1915, an intriguing collection of nine short motets. Along with part-songs by Elgar, Holst and Richard Rodney Bennet, this was presented alongside some splendid settings of spirituals and other works from across the Atlantic.
Walford Davies composed A Short Requiem in 1915, an intriguing collection of nine short motets. Along with part-songs by Elgar, Holst and Richard Rodney Bennet, this was presented alongside some splendid settings of spirituals and other works from across the Atlantic.
| Walford Davies: A Short Requiem Edward Elgar: They are at rest Richard Rodney Bennett: A Good-Night Gustav Holst: The Evening-Watch arr Craig Hella Johnson: Two Spirituals arr Undine Smith-Moore: We shall walk through the valley |
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| musical director / organ - Katherine Dienes-Williams soprano = Ruby Skilbeck |
CONCERT: Let's Begin Again!
Sat, 2 Oct 2021
St Paul's Church, Winchester
The newly refurbished St Paul’s Church is an ideal venue for music-making and we were delighted to return there and perform this musical miscellany, celebrating the resumption of live music-making and remembering those who have been adversely affected by the COVID-19 pandemic.
This concert was limited to around 60 minutes with no interval.
| Celebrating the return to music-making |
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| Kile Smith: Everyone sang Finzi: My spirit sang all day Elaine Hagenburg: O love Jonathan Dove: Vertue H.I. Thorsteinsson: Nunc dimittis Stanford: Justorum animae Rachmaninov (arr. Peter Gritton): Vocalise Eric Whitacre: hope, faith, life, love Adrian Batten: O sing joyfully John Rutter: Let’s begin again Handel: The many rend the skies |
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| musical director - Katherine Dienes-Williams piano - Richard Moore cello: - Kate Ryan |
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The newly refurbished St Paul’s Church is an ideal venue for music-making and we were delighted to return there and perform this musical miscellany, celebrating the resumption of live music-making and remembering those who have been adversely affected by the COVID-19 pandemic.
This concert was limited to around 60 minutes with no interval.
CONCERT: The Colours of Christmas
Sat, 14 Dec 2019
St Cross Church
Our Christmas concert is firmly established as an annual event in St Cross, with an evening of Christmas songs and carols. Our 2019 programme included carols by John Rutter and Sir David Willcocks, whose compositions have been central to virtually all carol services and concerts in the recent decades. And there were, of course, opportunities for the audience to add their own voices, joining the choir and organ in traditional carols.
This was a splendid and atmospheric evening -- just the thing to escape from the stress and clamour of Christmas shopping, and the tedium of watching repeats on the small screen!
A retiring collecting was held in aid of Tommy’s, the charity that provides expert information and support to women and their families throughout their pregnancy journey.
| A Concert of Christmas Music |
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| including
John Rutter
The Colours of Christmas Edvard Grieg Ave maris stella Cecilia McDowall Now may we singen and carols for choir and audience |
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| musical director - Katherine Dienes-Williams organ - Claudia Grinnell |
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| retiring collection in aid of Tommy’s | ||
This was a splendid and atmospheric evening -- just the thing to escape from the stress and clamour of Christmas shopping, and the tedium of watching repeats on the small screen!
A retiring collecting was held in aid of Tommy’s, the charity that provides expert information and support to women and their families throughout their pregnancy journey.
CONCERT: Saxtopia
Sat, 16 Nov 2019
St Cross Church
| A selection of music for choir and saxophone | |
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James Whitbourn: Son of God Mass & Requiem Canticorum Tarik O’Regan: Magnificat and Nunc Dimittis
variations for choir
Kim André Arsenen: Making or Breaking Cecilia McDowall Standing as I do before God |
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| musical director - Katherine Dienes-Williams soprano saxophone - Kyle Horch |
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CONCERT: Fly me to the moon
Sat, 29 Jun 2019
St John's Church, Alresford
Throughout human history, the moon has always been an object of fascination - as a symbol of continuous renewal, love and beauty and as the lantern of the night sky, borrowing light from the more powerful sun. It is not surprising that it has also been an inspiration for music-makers and this is reflected in the varied programme we have assembled for this concert.
Our programme comprised moon-related music by composers old and new, from classical figures such as Beethoven, Brahms and Reger to contemporary choral composers from around the globe, including Eric Whitacre (USA), Erik Esenvalds (Latvia) and David Hamilton (New Zealand). And, as the concert title suggests, we included a group of familiar songs from the mid to late 20th century.
We were delighted to be performing alongside Ashton Gray, who stepped out of the choir ranks to be our pianist and accompanist for the evening.
A selection of “lunar” music to celebrate the 50th anniversary of the first Moon landing |
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including choral pieces by Eric Esenvalds Eric Whitacre and Henry Mancini and piano works by Beethoven and Debussy |
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| musical director - Katherine Dienes-Williams piano - Ashton Gray |
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Throughout human history, the moon has always been an object of fascination - as a symbol of continuous renewal, love and beauty and as the lantern of the night sky, borrowing light from the more powerful sun. It is not surprising that it has also been an inspiration for music-makers and this is reflected in the varied programme we have assembled for this concert.
Our programme comprised moon-related music by composers old and new, from classical figures such as Beethoven, Brahms and Reger to contemporary choral composers from around the globe, including Eric Whitacre (USA), Erik Esenvalds (Latvia) and David Hamilton (New Zealand). And, as the concert title suggests, we included a group of familiar songs from the mid to late 20th century.
We were delighted to be performing alongside Ashton Gray, who stepped out of the choir ranks to be our pianist and accompanist for the evening.
CONCERT: Music from the Time of Leonardo
Sat, 16 Mar 2019
Southampton Art Gallery
This concert comprised music related to Leonardo, which we were delighted to be able to perform amid a display of twelve of his original drawings. Southampton’s City Art Gallery was chosen as one of only 12 venues across the country to display items from the Royal Collection, marking the 500th anniversary of Leonardo’s death.
Leonardo was a master in many areas and, while he is not known to have composed music himself, he was undoubtedly interested in music and it is believed that he played the lute. The works we performed were mostly contemporary with Leonardo’s life in Italy, with the exception of one item that was written by the American composer Eric Whitacre in 2001. Whitacre collaborated with the poet Charles Anthony Silvestri to produce a fascinating work that imagines Leonardo dreaming about a machine that would allow a man to fly.
| A concert to accompany the display of Leonardo drawings from the Royal Collection In association with the Leonardo Art Exhibition |
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| Mass L’homme armé & motet Absalon, fili mi by Josquin des Prez (c.1450-1521) Angeli, archangeli by Heinrich Isaac (c.1450-1517) Leonardo dreams of his flying machine by Eric Whitacre (b. 1970) |
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| musical director - Katherine Dienes-Williams lutenist - Toby Carr |
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This concert comprised music related to Leonardo, which we were delighted to be able to perform amid a display of twelve of his original drawings. Southampton’s City Art Gallery was chosen as one of only 12 venues across the country to display items from the Royal Collection, marking the 500th anniversary of Leonardo’s death.
Leonardo was a master in many areas and, while he is not known to have composed music himself, he was undoubtedly interested in music and it is believed that he played the lute. The works we performed were mostly contemporary with Leonardo’s life in Italy, with the exception of one item that was written by the American composer Eric Whitacre in 2001. Whitacre collaborated with the poet Charles Anthony Silvestri to produce a fascinating work that imagines Leonardo dreaming about a machine that would allow a man to fly.
CONCERT: Angels Sing
Sat, 15 Dec 2018
St Cross Church
Our Christmas concert is firmly established as an annual event in St Cross, with an evening of Christmas songs and carols. Our 2019 programme included Angels Sing - a set of four Polish carols arranged by Roxanna Panufnik - and Christus Natus Est by Cecilia McDowall - a cantata based on five Christmas carols - and a number of shorter pieces, all written by women composers. And there were, of course, opportunities for the audience to add their own voices, joining the choir and organ in traditional carols.
This was a splendid and atmospheric evening -- just the thing to escape from the stress and clamour of Christmas shopping, and the tedium of watching repeats on the small screen!
A retiring collecting was held in aid of the new Winchester Hospice, which was scheduled to open in early 2019.
| A Concert of Christmas Music and Readings | ||
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including
Cecilia McDowall: Christus Natus Est Roxanna Panufnik: Angels Sing and carols for choir and audience |
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| musical director - Katherine Dienes-Williams organ - Richard Moore |
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| retiring collection in aid of Winchester Hospice | ||
Our Christmas concert is firmly established as an annual event in St Cross, with an evening of Christmas songs and carols. Our 2019 programme included Angels Sing - a set of four Polish carols arranged by Roxanna Panufnik - and Christus Natus Est by Cecilia McDowall - a cantata based on five Christmas carols - and a number of shorter pieces, all written by women composers. And there were, of course, opportunities for the audience to add their own voices, joining the choir and organ in traditional carols.
This was a splendid and atmospheric evening -- just the thing to escape from the stress and clamour of Christmas shopping, and the tedium of watching repeats on the small screen!
A retiring collecting was held in aid of the new Winchester Hospice, which was scheduled to open in early 2019.
CONCERT: Distant Shores
Sat, 3 Nov 2018
All Saints Church, Odiham
We enjoyed our first visit to All Saints Church, Odiham, which is near Hook in northern Hampshire. The concert comprised two major works on the theme of mortality and life beyond the grave, interspersed with a series of readings.
Parry’s Songs of Farewell are the last works in that composer’s repertoire, and something of a reflection of his resignation to his terminal illness, shortly before the end of the First World War. These six unaccompanied works are masterful examples of Parry’s harmonic and melodic talents, reflecting the emotions behind verses penned by a selection of English poets from the 17th and 19th centuries.
Philip Moore’s Requiem was first performed almost exactly one hundred years later, in November 2016. Philip Moore has an international reputation as a composer, primarily of organ and choral music, having held posts at Eton College, Canterbury Cathedral, Guildford Cathedral and, finally, at York Minster where he was the Master of Music from 1983 to 2008.
Hubert Parry (1848-1918) Songs of Farewell Philip Moore (b. 1943) Requiem |
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| musical director - Katherine Dienes-Williams organ - Richard Moore readier - James McConnachie |
We enjoyed our first visit to All Saints Church, Odiham, which is near Hook in northern Hampshire. The concert comprised two major works on the theme of mortality and life beyond the grave, interspersed with a series of readings.
Parry’s Songs of Farewell are the last works in that composer’s repertoire, and something of a reflection of his resignation to his terminal illness, shortly before the end of the First World War. These six unaccompanied works are masterful examples of Parry’s harmonic and melodic talents, reflecting the emotions behind verses penned by a selection of English poets from the 17th and 19th centuries.
Philip Moore’s Requiem was first performed almost exactly one hundred years later, in November 2016. Philip Moore has an international reputation as a composer, primarily of organ and choral music, having held posts at Eton College, Canterbury Cathedral, Guildford Cathedral and, finally, at York Minster where he was the Master of Music from 1983 to 2008.
WINCHESTER FESTIVAL: Opening Concert
Fri, 6 Jul 2018
Winchester Cathedral
Blazing trumpets, Baroque dance and uplifting choral singing were all part of this concert, which opened the 2018 Winchester Festival. An Anglo-German co-operation between the region’s top chamber choir and their partner choir from Braunschweig in Northern Germany filled the soaring vaults of the Nave with the glory of Bach.
From the intimacy of solo flute to the power of voices and the excellent players of Florilegium, a wide range of emotions were touched and stirred.
| An evening with J S Bach | ||
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Orchestral Suite No.2 in B minor BWV 1067 Ashley Solomon flute Cantata “Tönet, ihr Pauken! Erschallet, Trompeten!” BWV 214 Magnificat BWV 243 |
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| with period orchestra Florilegium (director: Ashley Solomon) and the Choir of St Katharine’s Church, Braunschweig (director: Klaus-Eduard Hecker) musical director - Katherine Dienes-Williams |
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sopranos - Claire Seaton , Nina Bennet tenor - Gwilym Bowen bass - Thomas Humphreys |
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Blazing trumpets, Baroque dance and uplifting choral singing were all part of this concert, which opened the 2018 Winchester Festival. An Anglo-German co-operation between the region’s top chamber choir and their partner choir from Braunschweig in Northern Germany filled the soaring vaults of the Nave with the glory of Bach.
From the intimacy of solo flute to the power of voices and the excellent players of Florilegium, a wide range of emotions were touched and stirred.
CONCERT: Bach St John Passion
Fri, 23 Mar 2018
Winchester Cathedral
Our March concert fell shortly before the start of Holy Week, the ideal time to hear Bach’s fantastic telling of the Easter Story as set out in the Gospel of St John. We were joined by a first-rate band of soloists, including bass-baritone Jamie W Hall singing the part of Christ and tenor Edward Ross as the Evangelist. We were also delighted to be performing once more with Florilegium, one of the country’s most outstanding period orchestras.
** We are particularly grateful to Edward Ross and Peter Davoren who stood in a short notice in place of Mark Wilde (Evangelist) and Joel Williams (tenor soloist), who were unwell. Their excellent contributions were very much appreciated.
| St JOHN PASSION | |
** Edward Ross (Evangelist) Jamie W Hall (Christus) Ruth Provost (soprano) Tom Lliburn (countertenor) ** Peter Davoren (tenor) Thomas Humphreys (bass) |
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| with the renowned period Orchestra Florilegium musical director - Katherine Dienes-Williams |
Our March concert fell shortly before the start of Holy Week, the ideal time to hear Bach’s fantastic telling of the Easter Story as set out in the Gospel of St John. We were joined by a first-rate band of soloists, including bass-baritone Jamie W Hall singing the part of Christ and tenor Edward Ross as the Evangelist. We were also delighted to be performing once more with Florilegium, one of the country’s most outstanding period orchestras.
** We are particularly grateful to Edward Ross and Peter Davoren who stood in a short notice in place of Mark Wilde (Evangelist) and Joel Williams (tenor soloist), who were unwell. Their excellent contributions were very much appreciated.
